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In a wide-ranging, nearly two-hour long conversation, Palmer and musician Zoe Boekbinder chatted with an audience of around 100 fans and music lovers about the problems and new frontiers facing the music business: streaming music, pirating, record labels, and Kickstarter-style crowdfunding. Afterward, Palmer sat down with CNET to answer even more questions. Here are combined, edited versions of both conversations. Q: What works best for releasing new songs? Palmer: Before we throw it out to the audience, I'd just like to suggest the obvious options that are open to me and Zoe right now. Obviously, I've had a huge success with my Kickstarter. It was definitely a success on paper. What I did on the back end is my problem.
The one big problem with Kickstarter -- as I've gone around talking to, especially, musicians -- is that you don't necessarily want to put all of your time and energy, every time you have a project, into convincing those same people, "Please Kickstart my record, and here are all the things you'll get; I spent all this time building this page; I spent all this time coming up with these fanciful rewards that you will get, and I spent so much time fulfilling them."And all these things will go wrong, and things will be misprinted, and FedEx will not come, and that is the current nightmare of the modern musician, This is the recurring theme, that yes, Kickstarter works, but it's a ton of work and you have to keep doing it -- every time, You fulfill that one album and you're looking at the next mountain, And that doesn't make a lot of sense iphone case using apple logo because a lot of those people are the same people..
And a lot of those people just want to support you. And will kind of go through the fiction of, "Yes, I will take the package, and I don't know if I can get another poster that's printed on silver paper of your band."There's also the idea of subscription, which is the way I've seen a lot of my independent musician friends going, which is kind of taking it to the next level, which is: I know you're out there, and I know you love me, and I know you want to help me, and I know we don't need to have fictional packaging in order for you to help me. So can you just agree that when I put out a piece of art, you pay me and it's on a kind of rolling basis. I think Kickstarter is maybe heading in that direction, and there's things like Patreon, which is being used by bloggers, where you basically agree to pay 3, 5, 10, whatever dollars..for a monthly pass. [Some] fans are building their own subscription sites.
What's the difference between swag and music? Palmer: The music is not a poster, the music is the music, The bridge that needs to be gapped or crossed or whatever is that we're using physical stuff to justify your giving me money, Is there a way to get around us having this relationship and for me to have more money for me to send you more s--t?, What are some of the problems in iphone case using apple logo choosing appropriate crowdfunding incentives? Palmer: When I did my first big proto-Kickstarter, which I actually did straight off my Web site, when I put out my EP of ukulele covers of Radiohead songs, and that was my first big independent: here's a bunch of levels, here's a bunch of options, and one of the options was a Skype call, I hated it..
I kind of hate Skype, mostly because when I talk on the phone, I pace and move, and in front of the screen it makes me feel really awkward. If we're here, I know how to take my environment into account. But when faced with Skype, I felt kind of paralyzed, and I felt like the technology wasn't really there in terms of being with the person. Being with someone is different than being on Skype with someone. And to sell it as the same product is kind of a con. An audience member asked about the value in fans sharing different versions of the same songs, especially those from concerts. Palmer: There was a site started by basically my favorite Deadhead. We encouraged [music sharing].
Bringing up the Grateful Dead is always interesting in this case, because one could make the case that [Deadheads] were the original file-sharers via tape, The band was smart enough to not shut it down and to encourage people to plug into the board, It created not only sales, but it created community of awesome people, The Dresden Dolls didn't hire someone on salary to track all this stuff down, although I tried, It was always someone from the community who was, like, I actually care enough about this to do it, Which actually iphone case using apple logo ties back into torrenting and people who want music to exist, and are very happy to share and happy to hook it up..
People who don't want to necessarily go out and use the cutting-edge technology to make all the profit, but actually just want to make music and hopefully get paid, which is most musicians, you run up against this weird ball of artists versus technology. Getting a bunch of artists to agree to converge their separate islands into one continent is impossible. What about albums as apps? How can they change fan engagement with the musician? Palmer: Seeing albums released as apps seems really interesting to me, but also again seems really limiting. My app, which came out around a year ago, turned into a therapy session. And I didn't guide it, didn't suggest it. But all of a sudden I turned around and the comments section, the community section -- and I think that happened because it was not on the Internet.
It wouldn't have happened anywhere that the general public could come in and pooh-pooh it and snark iphone case using apple logo on it, It happened in a place where it was, like, oh, we're all alone here, We're totally safe, we can talk about our f---ed up problems and our families and our body issues and our suicides and our friends dying and whatever, It was, like, I can't believe what I'm reading, I'd log into my app and it was, like, walking into AA and I'm not even there, And what does that say to you about the general Internet that it's gotten so muddied and f---ed up and sort of fight-y that people don't open up, LiveJournal used to be a little bit like that, and people would open up a lot, and there's no longer a lot of places to go on the Internet where people are real., they're so afraid of being judged, It's gotten insane..